Abstract

The artworks created by the Ancient Britons team are the result of critically informed readings and imaginings of the painting as it is described by Blake in A Descriptive Catalogue. These works were first exhibited in Stuttgart from 29 October 2020, with the exhibition temporarily closed in November and extended to 4 December. After the exhibition, presented as an ironic inversion of Blake’s failure to connect with his audiences in 1809, came the website, launched in July 2021. The exercise culminated in a book, which synthesizes the materials and experiences shared via the website and also frames them with a scholarly essay. This review, moving between all aspects of the project, will discuss the aspirations of the exhibition and its afterlife online and in book form.

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