Abstract
Willem Anker has been accused of stealing from Cormac McCarthy’s Blood Meridian (1985) in his novel Red Dog (2018), the English translation of his award-winning Buys (2014). I defend Anker on the charge of plagiarism, while conceding that his novel could not have been the book that it is without the precedent of Blood Meridian. I go on to voice other reservations about Red Dog via discussion, inter alia, of Anker’s characterisation of Coenraad Buys and the rendering in English of his Afrikaans original. I conclude that the historical Coenraad Buys appears intractable to novelistic treatment, and that Anker signals his awareness of this while at the same time making a valiant attempt to bring the character to life.
 Keywords: Willem Anker, Red Dog, Buys, Cormac McCarthy, Blood Meridian, Sarah Gertrude Millin, King of the Bastards
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