Abstract

This paper focuses upon the psychoanalytic reading of Wilfred Owen’s poem Mental Cases . In so doing, first, the paper examines how the disturbing experiences and feelings of a tragic event such as a war, torture, rape or murder, which the surviving victims, civilians and veteran soldiers store in the realm of their unconscious in the Freudian sense, start annoying their feelings after a while. That is, these memories of the past event continuously come later on in life under the troubling influence of recurring flashbacks of the traumatic events, nightmares, irritability, anxiety, and social withdrawal. Eventually these undesirable traumatic past experiences and memories repressed in the unconscious obviously causes individuals to have a kind of psychological disorder which powerfully affects their daily behaviour, life and identity. Secondly, the paper explores this relationship between conscious and unconscious aspect of life, along with the perception of identity, in Owen’s poem Mental Cases , in which the shell-shocked, war-torn veteran soldiers, who experienced and witnessed the shock of World War I and the death of their fellow soldiers, constantly remember the soldiers and innocent civilians who were brutally killed or whom they brutally killed in World War I. Now, these veteran soldiers call back those unhappy times, along with the death of soldiers and civilians, and then suffer in their psyche with a sense of guilt and disappointment: that is, recalling their shocking traumatic war experiences and their killing of many innocent people apparently cripple their vision of life and shatter their identities in the present. Through his representation of these veteran soldiers in such a way, Owen, as in his other poems, artistically and forcefully shows his own reaction, anger and dissatisfaction about the war and its distressing outcome in Mental Cases . Finally, the paper also examines how Owen’s critical view of war and its traumatic post-war effect still find meaning today because we unfortunately witness every day the loss of millions of lives in the contemporary world. As the post-effect, the paper will give from the Bosnian civil war during the period of 1992-1995.

Highlights

  • This paper focuses upon the psychoanalytic reading of Wilfred Owen’s poem Mental Cases

  • A few critics argue that it has some positive consequences, yet there are many other critics, intellectuals and writers, who have perceived how war by and large brings about destruction, bloodshed, and death; it, as a traumatic event, visibly leaves behind devastation, misery, frustration, and tears as obviously witnessed in World War I and II, the Korean War, the Vietnam War, the Gulf War, civil wars such as Afghan and Bosnian Civil Wars, and seen today in Iraq, Syria and elsewhere in the world (Fussell, 1975; Pease, 1992; Bruning, 2000; Keegan, 2000; Filipović, 2006; Beckett, 2007: Collins, 2007; Horne, 2012; Makos and Alexander, 2013 and Jaffe, 2014)

  • Writers and poets alike, though different in their methods and approaches, have responded artistically to the wretchedness, absurdness and “futility” of the war, to its post-traumatic consequences, or what is called “posttraumatic stress disorder”, which, like shadow, constantly haunt and disturb the psyche of veteran soldiers throughout their lives in particular and the public in general. Of these writers and poets, Wilfred Owen, the soldier-poet of World War I, is very eminent. In his poems such Futility, Dulce et Decorum est, Disabled, Exposure, Strange Meeting, and Anthem for Youth, he represents his first-hand keen experience and observation of the horror of the war on the front, as well as his rigorous anger concerning the irrationality and uselessness of the war which, he believes, obviously results in the death of innocent people and destruction of human civilization, but he deals with how experience and memory, along with its traumatic outcome stored in the unconscious during the war, incessantly revisits the psyche of the veteran soldiers, shatters and eventually leads them to a sense of crisis in their identities

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Summary

Introduction

This paper focuses upon the psychoanalytic reading of Wilfred Owen’s poem Mental Cases.

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