Abstract

The métier of combining granite stone carving with painting of wildlife subjects in Pitchandikulam at Auroville International Township has been rather innovative, and some works are described and analyzed. The basic history of stone carving, and especially of those sculptures with animal motifs, is recounted, and the applications, especially in the context of enhancing landscape architecture, are discussed and highlighted.

Highlights

  • The métier of combining granite stone carving with painting of wildlife subjects in Pitchandikulam at Auroville International Township has been rather innovative, and some works are described and analyzed

  • Granite is the chosen material because most of the sculptures are designed for outdoor public spaces, and softer stones would be damaged by long-term exposure to the elements

  • This is one innovation that does not have a precedent to the best of our knowledge, and our experiments in Pitchandikulam have proven to be worthwhile, and the results found to be very satisfactory

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Summary

Introduction

The métier of combining granite stone carving with painting of wildlife subjects in Pitchandikulam at Auroville International Township has been rather innovative, and some works are described and analyzed. Author Contribution: SJB evolved the concept of painting and carving wildlife in stone. Wildlife art and illustration: stone sculpture and painting

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