“Why shouldn’t I Be Wanted, Even loved?”: Eugenics, Reproduction, and the Postcolonial in Indra Sinha’s Animal’s People and Nnedi Okorafor’s Who Fears Death

Abstract

ABSTRACT This article focuses on two postcolonial novels, Indra Sinha’s Animal’s People and Nnedi Okorafor’s Who Fears Death, and argues that through the novels’ explorations of sex, both narratives reconstruct eugenic views that haunt postcolonial societies today. Through sex scenes (and their interruption or absence), the novels illustrate how the characters from India and Sudan respectively experience oppression and discrimination. These experiences are direct outcomes of eugenic views on and practices aimed at selected groups. Through its focus on masturbation and female genital mutilation, as described in the two novels, this article frames the analysis of Animal’s People and Who Fears Death in relation to eugenics, sexual deviance, and sterilization, and foregrounds the ongoing oppression of postcolonial nations. This article carefully examines how eugenics has shaped or further intensified inequality. In particular, it draws parallels between eugenic practices and two kinds of oppression described in Animal’s People and Who Fears Death: the control exercised by the West over postcolonial countries, highlighted through western industrial capitalism’s lack of concern about the genetic health of postcolonial nations and the dysgenic impact of their industries, and patriarchal control of women.