‘WHY ARE DIONYSIAN ARTISTS MOSTLY WORTHLESS PEOPLE?’ ARISTOTLE'S ΠΡΟΒΛΗΜΑΤΑ ΕΓΚΥΚΛΙΑ IN CONTEXT

Abstract

ὥστε καθάπερ τοὺς ὑποκρινομένους,οὕτως ὑποληπτέον λέγειν καὶ τοὺς ἀκρατευομένους.Arist. Eth. Nic. 7.3.1147a22-4In Attic Nights (= NA) 20.4, Aulus Gellius reports how his Athenian teacher, the Platonist L. Calvenus Taurus (fl. c.a.d. 145), advised one of his pupils to temper his devotion to stage actors and to turn his attention to the study of philosophy. Wishing to divert his (rich) student from associating with theatre people (hominum scaenicorum), Taurus assigned the daily reading of a specific chapter from Aristotle's Προβλήματα Ἐγκύκλια (= fr. 209 Rose). He sent his student an extract from the book, which Gellius quotes (in Greek): ‘Why are Dionysian artists mostly worthless people?’—the problem is still extant in the Aristotelian collection of Problemata physica that came down to us (Pr. 30.10.956b11–15). The explanation Aristotle suggested (in Gellius’ version) is that ‘these men are least familiar with reason and philosophy (λόγου καὶ φιλοσοφίας), since they devote most of their life to the necessary arts (ἀναγκαίας τέχνας), and because they are in an intemperate state (ἐν ἀκρασίαις) most of the time, sometimes even in difficulties (ἐν ἀπορίαις), both of which conditions cause meanness (φαυλότητος)’.