Abstract
In this analysis of the function of gaze and voice in Derek Walcott’s presentation of madness in <em>Dream on Monkey Mountain</em>, my starting point is Walcott’s questioning of the validity of Négritude in the Caribbean, where several cultures from Europe, Africa, and Asia are shared and uniquely cross-fertilized. Focusing on the gaze and the voice Makak encounters during the mad-journey, the essay explores how his repressed self-image returns to him through these two encounters. By examining Makak’s self-awareness as an Afro-Caribbean person, it shows that the color green, associated with the word negre, illuminates his Caribbean subjectivity. The essay ultimately argues that Makak is an emblematic character for Walcott’s reappraisal of the Caribbean hybrid creolized subjectivity that racial purists can never attain.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
