Abstract
Australia has produced many post-disaster novels since the 1980s, our landscape and sense of global isolation inspiring long lists of environmental and political crises. While this literature provokes considerable work from ecocritical and postcolonial perspectives, the representation or use of disability in post-disaster narratives is less studied. This essay undertakes crip readings of a range of Australian young adult novels published since the 1980s, including Isobelle Carmodyâs long running Obernewtyn chronicles (1986-2015) and Ambelin Kwaymullinaâs Tribe sequence, particularly The Interrogation of Ashala Wolf (2012) and The Foretelling of Georgie Spider (2015).
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