Abstract
Abstract: The involvement of digital service providers (DSPs) or platforms, such as Spotify, Apple Music, and Tidal, that deliver streamed music, has significantly transformed the functioning of copyright management organizations (CMOs) and the compensation structure for songwriters and recording artists. The concept of platform economics has originated from the economic analysis of two-sided and multi-sided markets, providing fresh insights into business practices in the digital realm. This concept is now being applied specifically to the domain of music streaming services.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Paper version not known
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: International Journal for Research in Applied Science and Engineering Technology
Paper Title
Journal
Date
