Whiteness as Improvisation, Nonwhiteness as Machine

Abstract

Research Article| October 01 2021 Whiteness as Improvisation, Nonwhiteness as Machine Ritwik Banerji Ritwik Banerji RITWIK BANERJI is an ethnographer, interactive media artist, and saxophonist. Having completed his doctorate in music at the University of California, Berkeley in 2018, he has since been teaching film and media studies, ethnographic methods, and the social psychology of music at the University of Cincinnati. His other writings appear in Proceedings of the International Computer Music Conference, Proceedings of the 1st International Workshop on Musical Metacreation, the Oxford Handbook of the Phenomenology of Music Cultures, and New Directions in Human-Computer Interaction. Search for other works by this author on: This Site Google Jazz and Culture (2021) 4 (2): 56–84. https://doi.org/10.5406/jazzculture.4.2.0056 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Ritwik Banerji; Whiteness as Improvisation, Nonwhiteness as Machine. Jazz and Culture 1 January 2021; 4 (2): 56–84. doi: https://doi.org/10.5406/jazzculture.4.2.0056 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressJazz and Culture Search Advanced Search The text of this article is only available as a PDF. Copyright 2021 by the Board of Trustees of the University of Illinois2021 Article PDF first page preview Close Modal You do not currently have access to this content.