Abstract
ABSTRACT This essay, geared toward student reading in undergraduate and graduate courses that focus on the politics of dance, revisits the 1985 film White Nights, directed by Taylor Hackford and starring ballet dancer Mikhail Baryshnikov and tap dancer Gregory Hines. The essay argues that the film’s power as a political commentary on race in America is largely neglected and overlooked as audiences and critics focused unfairly upon what appears to be the central conflict, which is the Cold War-era antagonisms between East and West. However, looking back thirty-five years later, if we are able to point to and understand this erasure of race, we can re-animate the stunning parallels between race in America then and now.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
