Abstract

ABSTRACT Although privileged in both classical and modern literature, suicide’s role in the Decadent literature of the late nineteenth century remains an underexplored and fruitful topic. This article proposes a Decadent theory of self-destruction that decentres the physical act itself. Suicide, in Decadence, functions as a type of escapism, mobilising the idea of death without actually engaging with it. By exploring works of Decadent authors such in the French tradition, this article extrapolates a Decadent positionality to suicide; by casting decadence as indefinitely deferring the instantaneous into the eternal, suicide becomes an abstract horizon, rather than an existential threat.

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