Abstract

Many studies have assessed the neural underpinnings of creativity, failing to find a clear anatomical localization. We aimed to provide evidence for a multi-componential neural system for creativity. We applied a general activation likelihood estimation (ALE) meta-analysis to 45 fMRI studies. Three individual ALE analyses were performed to assess creativity in different cognitive domains (Musical, Verbal, and Visuo-spatial). The general ALE revealed that creativity relies on clusters of activations in the bilateral occipital, parietal, frontal, and temporal lobes. The individual ALE revealed different maximal activation in different domains. Musical creativity yields activations in the bilateral medial frontal gyrus, in the left cingulate gyrus, middle frontal gyrus, and inferior parietal lobule and in the right postcentral and fusiform gyri. Verbal creativity yields activations mainly located in the left hemisphere, in the prefrontal cortex, middle and superior temporal gyri, inferior parietal lobule, postcentral and supramarginal gyri, middle occipital gyrus, and insula. The right inferior frontal gyrus and the lingual gyrus were also activated. Visuo-spatial creativity activates the right middle and inferior frontal gyri, the bilateral thalamus and the left precentral gyrus. This evidence suggests that creativity relies on multi-componential neural networks and that different creativity domains depend on different brain regions.

Highlights

  • The ability to form novel ideas is crucial for human civilization, progress, and innovation

  • The results of the present meta-analysis of functional magnetic resonance imaging (fMRI) studies of creatvity based on open-ended problems in musical, verbal, and visuo-spatial domains suggest that different domains of creativity roughly correspond to a higher activation in functionally specialized brain areas

  • Activation of the DLPFC was found in all creativity domains under investigation, whereas the inferior frontal gyrus was recruited consistently in verbal creativity and weakly in visuo-spatial creativity

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Summary

Introduction

The ability to form novel ideas is crucial for human civilization, progress, and innovation. Creativity has been defined as “the introduction of something innovatively new and positive for society that goes beyond the familiar and accepted” 1) and concerns many domains of human activities (Gonen-Yaacovi et al, 2013), such as science, technology, economy, and arts. Creativity concerns exceptional realizations, such as scientific discoveries or the production of artworks, and everyday activities, such as finding new solutions and thinking away from ordinary ideas. Creativity includes the appropriateness (Sternberg and Lubart, 1999; Runco and Jaeger, 2012) of the new ideas and solutions. The product of creativity must, involve an actual use in a specific context, rather than a hypothetical use.

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