Abstract
The article explores Manuel Vásquez’ treatment of cultural neurophenomenology within the broader context of his non-reductionist methodology. By paying particular attention to the context of Tibetan Buddhist monks in disapora – the primary subjects of neurophenomenological research – it is suggested that Vásquez’ neurophenomenology is not as culturally mediated as he claims. His treatment may undermine his larger contention that politics shape both religious experience and the scholarly methodologies used to explore them.
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