Abstract
On the basis of a case study of The Book of Evidence and The Sea, this paper looks at the linguistic means through which at different levels distance is created in the fiction of John Banville. In addition to more or less ‘local’ but frequent instances where the first-person narrator’s own discourse is metatextually commented on, or another’s discourse is evoked from his perspective, distancing effects are to be found at the broader levels of the situation of discourse, as in the case of the fictive address of judge and jury in The Book of Evidence, and of the narrator’s identity and perspective, as in The Sea, where the narrator zooms out to take an outside perspective on his own vantage point.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
