Abstract
Abstract The era of collaboration between the Centro di Sonologia Computazionale (CSC) and the Venice Biennale in the early 1980s marked a real breakthrough in the development of technological art and computer music. Thanks to this collaboration, computer music, which in those years was confined to research laboratories with auditions for insiders, entered the global contemporary music scene. This interview by Sergio Canazza, current director of CSC, with two leading figures of that endeavor aims to bear witness to that creative turning point.
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