Abstract
Research Article| March 01 2020 When is Co-creation Possible? Dorit Naaman Dorit Naaman Dorit Naaman is a professor in the Department of Film and Media, and an affiliated faculty to the Cultural Studies Program at Queen's University in Toronto. Her interactive documentary Jerusalem, We Are Here (2016) models digital witnessing, and has screened in festivals in Canada, the United States, Israel, and Palestine. She writes on Israeli and Palestinian cinemas and media from postcolonialist and feminist perspectives. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2020) 47 (1): 42–47. https://doi.org/10.1525/aft.2020.471008 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Dorit Naaman; When is Co-creation Possible?. Afterimage 1 March 2020; 47 (1): 42–47. doi: https://doi.org/10.1525/aft.2020.471008 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAfterimage Search In the early stages of production of the participatory interactive documentary Jerusalem, We Are Here (2016), I described the process I had envisioned to a curator friend. She listened intently and then said, “I think you can pull it off, because you don't have an artist's ego.” I wasn't sure whether this was a compliment, but I recalled this statement recently, when I was asked about my position as an Israeli making a project with and about Palestinians, and a metaphor emerged. “I am the central nervous system of this project,” I replied. “But its heart is entirely Palestinian.” As an Israeli showcasing an actively obfuscated Palestinian past, and as a documentary filmmaker working with non-professionals, I knew from the get-go that I have a lot of structural power: professionally I knew what makes for a good story, and how to go about it. As an Israeli, I also had... You do not currently have access to this content.
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