Abstract
The arrest of Pete Townshend, lead guitarist for The Who, for downloading and possessing Internet child pornography and the publicity surrounding the case provides an initial point of discussion concerning the emergence of an ethics of the image that is not predicated on the actual evidential status of that image but on more virtual forms of observation. The discussion in this article focuses on three substantive aspects of this event – legislation in the UK and the US, expert psychological discourse, and public discussion in the UK press – in order to present a particular and situated rendering of forms of virtual observation. The context to this discussion concerns the notion that digital imaging technology presages a need for new legislation, law enforcement and social analytical frameworks for understanding and tackling the production, distribution and consumption of images of child sexual abuse.
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