Abstract

This article starts out from looking at what is missing from environmental history in China today, and then goes on to ask a particular set of questions: How does one interpret environmental history with the public? How does one present environmental history in public space? How does one engage with an environmentally conscious public? And ultimately, is it possible to establish public environmental history as a new mode of knowledge? In answer to these questions, it focuses on relationships, including the relationships between nature and culture, the environment and people, and history and memory. Using the dredging history of West Lake in Hangzhou as an illustrative case, it explores nature as material culture, calls attention to the rhetorical power of nature, and argues that environmental history should be interpreted and presented as public memory.

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