Abstract

A recent paper by Oh and Sakata investigates the “incompletely solved mystery” of how the three cone responses map onto perceived hue, and particularly the S cone’s well-known problematic contribution to blueness and redness. Citing previous workers, they argue the twentieth century traditional multistage model does not satisfactorily account for color appearance. In their experiment, increasing S cone excitation with shortening wavelength from about 480–460 nm increased perceived blueness up to the unique Blue point at 470 nm, when (a) it began decreasing and (b) redness perception began increasing. The authors asked, What mechanism can be responsible for such functions? I demonstrate a solution. First, it is shown the problem does not lie in the traditional opponent color chromatic responses yellow-blue, red-green (y-b, r-g, which accurately predict the above functions), but in the traditional multistage model of mapping cone responses to chromatic response functions. Arguably, this is due to the S cone’s hypothetically signaling both blueness and redness by the same mechanism rather than by different, independent, mechanisms. Hence a new distinction or mechanism is proposed for a more accurate model, that introduces the new terms primary and secondary cone outputs. However, this distinction requires that the cones S, M, L each directly produce one of the three spectral chromatic responses b, g, y. Such a model was recently published, based on extremely high correlation of SML cone responsivities with the three spectral (bgy) chromatic responses. This model encodes the former directly onto the latter one-to-one as cone primary outputs, whilst S and L cones have a further or secondary function where each produces one of the two spectral lobes of r chromatic response. The proposed distinction between primary and secondary cone outputs is a new concept and useful tool in detailing cone outputs to chromatic channels, and provides a solution to the above “incompletely solved mystery.” Thus the S cone has a primary output producing the total b chromatic response and a secondary output that shares with the L cone the production of r chromatic response, thus aligning with Oh and Sokata’s results. The model similarly maps L cone to yellowness as primary output and to redness as secondary output.

Highlights

  • A recent paper [1] by Oh and Sakata investigates the “incompletely solved mystery” of how the three classes of cones map onto percepts of hue, and the short wave (S) cone’s contribution to hue via the opponent color channels

  • They note previous researchers have found the S cone’s contribution to blueness is problematic, and that the four unique hues do not align in any simple manner with various theoretical axes for opponent or single chromatic channels in various chromaticity diagrams,[2,3,4,5] and conclude that the traditional mid-twentieth century stage model does not satisfactorily account for color appearance

  • Ingling [10] has claimed that S cone contributions to the r-g channel are greater for desaturated signals, and spatial frequency decides whether the signals are chromatic or achromatic

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Summary

Introduction

A recent paper [1] by Oh and Sakata investigates the “incompletely solved mystery” of how the three classes of cones map onto percepts of hue, and the short wave (S) cone’s contribution to hue via the opponent color channels. The extremely high correlation between SML cones and the spectral chromatic responses bgy, combined with deterministic causation of the latter by the former as detailed in Ref. 18, implies that SML cone outputs lead directly to the postreceptoral bgy chromatic responses (and the spectral unique hues blue, green, yellow).

Results
Conclusion

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