Abstract
Postmillennial China has witnessed a surge of TV entertainment programs that constantly straddle the line between market demands and state mandate. Taking If You Are the One, a top-rated dating program that has evoked much controversy as a case study, this article seeks to expand current understanding of the entangled relationship between entertainment and politics in contemporary China. Delving into the critical juncture at which If You Are the One encounters state censors, this article illuminates how the official mandate has played a pivotal role in catalyzing the transformation of If You Are the One from a copycat of Western reality shows into one imprinted with Chinese characteristics. Moreover, the readiness and flexibility of those involved with television programming to negotiate, reciprocate, and adjust their stances characterize the nascent norm of television culture production. Thus, the way in which If You Are the One reinvents its agenda to meet state expectations, pacifies the irritated audience, and subsequently enhances its critical agency illustrates the mutually reconfiguring relationships between official, commercial, and mainstream forces.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
