Abstract

ABSTRACT Inspired by Chaucer’s frame tale narrative, the recent volumes entitled Refugee Tales narrate the perilous journeys of modern-day displaced and stateless persons seeking asylum in the UK. This article examines the Refugee Tales’ goal to create a “spectacle of welcome” through the lens of the biblical injunction to “love thy neighbor” and the related Levitical command that, “when a stranger sojourns with you in your land, you shall not do him wrong” (Leviticus 19:33–4). As a third-term in the sovereign formula of “friend/enemy,” the refugee threatens to uncouple power from the very criteria on which it depends: history, territory, bare life. And these concerns are arguably as important in the late-fourteenth century as in our own global political age. Does Chaucer think of the refugees he witnessed in his own life? Considering, then, the neighborly relations of literary texts — relations that are contiguous rather than genealogical — this article seeks Chaucer’s own refugee stories by delving into the narrative chasms of the Knight’s Tales’ absent narratives, the residue of Boccaccio’s Il Teseida, and the critically-contentious backstory to the Knight as storyteller.

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