Abstract
Robert Kincaid, the hero of Robert James Waller's mammoth best seller, The Bridges of Madison County, makes his living as a free-lance photographer for National Geographic magazine. When not taking pictures of the covered bridges of Iowa and falling into a steamy romance with a bored Italian-born farm wife, Kincaid treks across the globe photographing exotic landscapes and cultures, developing in the course of his travels an utterly Byronic persona-solitary, intrepid, larger than life, deeply and mystically passionate about his craft and about the eternal verities of human and sub-human exis-
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