Abstract
With Covid-19 closure of performance spaces, drag performers were in a unique position due to the historic relationship between queer performance and recorded media, and the history of LGBTQ2+ community building through social media. Rather than — or perhaps in addition to—constituting a moment of rupture, the sudden phenomenon of digital drag presents a vital moment for revealing the relationship among liveness, media, and citational reproduction in drag’s history.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
