Abstract
ABSTRACT In this paper, I explore the claim that the film Son of Man (2006) represents a story of “continuity between African culture and Christian faith”. While this statement implies a seamless connection between the two, I argue that the relationship is more complex and fluid. Rather than strict continuity, I propose that the film depicts a process of adaptation, where certain cultural elements are retained while others are discarded. Through analysis of cross-cultural audience responses to Son of Man, I investigate how faith meets with the South African landscape, considering historical and cultural contexts. This examination demonstrates that the film presents a complex relationship between culture and faith, challenging the notion of a straightforward continuity.
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