Abstract
In this article I explore the continued salience of Durkheimian effervescence through an examination of ritual activities contained within contemporary English cathedrals. My argument focuses less on collective occasions of creative or destructive tumult and more on ritualised forms of action where modalities of engagement and participation are nuanced, reflexively negotiated and small-scale. My aim is to render more subtle – and potentially productive – our understandings of gradations in ritual intensity.
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