Abstract
This introductory article examines the transition from conventional criticism to post-critical methodologies in literary and cultural studies. It discusses Bruno Latour's compositionist approach for cultural preservation and Rita Felski's advocacy for a postcritical, curatorial method focusing on the unique qualities of texts. The paper highlights the significance of surface reading, object-oriented criticism, and their influence in contemporary ecocriticism and intermedial studies, underscoring a reevaluation of critical practices in light of aesthetic and ecological considerations.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Metacritic Journal for Comparative Studies and Theory
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
