Abstract

The Paraguayan parliamentary coup against Fernando Lugo in 2012 fired the opening shot (following the CIA-induced removal of Honduras’s Manuel Zelaya in 2009) in the series of reversals of ‘pink tide’ politics throughout much of Latin America, most notably Brazil. But the Paraguayan case, argues art critic and former Minister of Culture Ticio Escobar, also has several particularities, such as the incapacity of Left and Right alike to construct enduring hegemonies after the collapse of the Stroessner dictatorship in 1989, as well as the increasingly potent shadow cast over the national political landscape by narco-capital. The still-unresolved massacre of peasant protesters at Curuguaty, which sparked Lugo’s overthrow only a week later, functions as an almost Brechtian theatricalization of these force-fields that have dominated Paraguay ever since the Triple Alliance War (1865–1870).

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