Abstract
A high dynamic range (HDR) workflow was created at the film school level from capture to exhibition. With HDR being one of the newest tools adopted into professional cinema workflows, there are many different ideas on how to master HDR with no available instruction manual. This paper explores how to implement an HDR workflow and ensure HDR for the entirety of the workflow. The workflow will allow for the user to be in an HDR space from capture to exhibition with the ability to also master in standard dynamic range. This will be accomplished using resources from the Rochester Institute of Technology’s School of Film and Animation.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
