Abstract
It is fair to state that performance is one of the most contested terms in our field, clearly evolving and emerging in the last few decades as one of the most significant terms in a wide range of academic disciplines and in society in general. This essay lays out many of the principal critical and theoretical concepts and debates related to performance—performativity, performance studies, performance art, etc.—to illustrate how the field and the lens through which we view it have changed and are continuing to change, as well as how those of us who study Latin American theater fit into the larger picture of examining the embodiment of meaning. This study of some of the main contributions to the discipline and to the creation of the field of performance studies offers an overview of the concepts, scholarship, and bibliography that have helped shape the ways in which we talk about performance.
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