Abstract
In their life-writing, Enlightenment women (un)consciously depict themselves. This article examines different attitudes on the basis of texts by Mary Robinson, Victoire Monnard, Adelaide de Castellane, Francoise-Radegonde Le Noir, Jeanne-Marie Roland, Suzanne Necker and Charlotte-Nicole Coquebert de Montbret, as well as of painted self-portraits by Rosalba Carriera and Elisabeth Vigee-Lebrun.
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