Abstract
This essay argues that Toni Morrison’s lean art of storytelling in God Help the Child is evocative of a synesthetic experience. Synesthesia is defined as a union of the senses; it is a neurological condition in which the five senses are not locked into their separate channels but are intertwined in any number of ways. This is not to suggest that any one character in the novel is a synesthete; rather, Morrison’s handling of color offers a distilled, yet cross-sensory vision of pain and trauma saturated with chromatic pigmentation. This essay contextualizes Morrison’s turn to color as an alternative signifying system in God Help the Child with her earlier work, revealing a sophisticated improvisation of narrative and color.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.