Abstract

Because library music is made with the specific goal of future media use, its consideration might seem incongruous with broader histories of popular music or irrelevant to challenges facing the popular music industries. Yet both popular music and library music are defined against a shared set of cultural and commercial values, and both have adapted to shifts in media production, circulation, and consumption. In this article, I consider how popular music and library music have engaged with notions of art, responded to digitalisation, and revealed assumptions about the cultural and economic value of music. A side-by-side comparison reveals similarities and differences between popular music and library music that help us better understand changes affecting them both, as well as how we listen to music and how musicians make money from music.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.