Abstract
ABSTRACT While sight and hearing have been privileged in the philosophical formulation of aesthetics, the significance of touch to the experience of art has not enjoyed much attention at all. In order to displace sight and reinstate touch as a viable mode of engagement for the interpretation of visual art, this article reports on a study in which blind individuals and sighted people who were blindfolded were interviewed about their experiences of artworks. The participants were invited to touch selected sculptures in South African artist, Willem Boshoff’s Blind Alphabet (1990 – ongoing) installation. The main aim of the study was to investigate the nature of the tactile aesthetic experience elicited by these sculptures when they are handled and not seen. Secondly, the study aimed to reach a deeper understanding of how tactile engagement with art enriches the experience, meaning and power of the work for both those who can and cannot see. Through the investigation it was revealed that visual art can forge a bridge between individuals with and without blindness.
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