What a Feeling

Abstract

Research Article| April 01 2022 What a Feeling: Intimate Karaoke, Live at Uterine Concert Hall Dayna McLeod Dayna McLeod Author’s email: dayna@daynarama.com Search for other works by this author on: This Site PubMed Google Scholar Journal of Autoethnography (2022) 3 (2): 258–261. https://doi.org/10.1525/joae.2022.3.2.258 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Dayna McLeod; What a Feeling: Intimate Karaoke, Live at Uterine Concert Hall. Journal of Autoethnography 1 April 2022; 3 (2): 258–261. doi: https://doi.org/10.1525/joae.2022.3.2.258 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of Autoethnography Search Intimate Karaoke, Live at Uterine Concert Hall (IK-UCH) is a durational performance artwork that features my body as a karaoke venue. Audience members are asked to sing their favorite karaoke song into a microphone in a large room, which is often a theater transformed into a karaoke-friendly performance space. Their singing and musical backing track is wired from this room into a smaller “examination” room where I am stretched out on a table. A Babypod (54 kHz internal speaker) is in my vagina, which transforms my vagina into a stage for my “listening” uterus. Individual audience members are able to hear the karaoke performance wired from the other room and into my body using a stethoscope, which is placed on my abdomen. The karaoke singer in the large room hears the full volume of the musical backing track and their voice through headphones (played via the internet off of a... You do not currently have access to this content.