Wet and wobbly harmonies: music and saloon-life in the industrial workers of the world, 1905–1920

Abstract

ABSTRACTDuring the first fifteen years of its existence, the Industrial Workers of the World (IWW) gained a reputation for being an exceedingly musical labor organization. Where did this proclivity originate? This article complements and elaborates existing explanations by sourcing the roots of IWW music to the institution that was both historically and contemporaneously integral to working-class culture – namely the saloon. It demonstrates strong and persistent links with the culture of proletariat drinking establishments. First, it investigates the ease with which individuals and songs travelled between the recreational environments of the barroom and activist environments of the IWW. Second, by comparing the values and attitudes associated with the musical cultures of the IWW and the saloon, it demonstrates an enduring compatibility between these two working-class institutions. Finally, it demonstrates the value of these findings for historians of the IWW organization, labor historians, and theorists of social movements.