“Were They the Ones We Were Waiting for?” The TWWA and the Performance of Solidarity

Abstract

In her 1979 touchstone address, “The Master's Tools Will Never Dismantle the Master's House,” Audre Lorde makes it clear that the only feminism that matters is one that includes and even centers the voices of “poor women, black and third-world women, and lesbians.” She argues that this type of representation is not a mere academic exercise, but a means of survival for women within these groups. Speaking at the Second Sex Conference in New York, Lorde also laments the lack of attention paid to the ways women can and should embrace their differences while still relying on a solidarity that she sees as foundational to creativity and liberation. Women of color have always borne the greatest share of domestic and physical labor in the United States, and thus creating this solidarity is a challenge; when workers are spread far and wide, scared of management, and just living month to month, it can be difficult to organize and unite them. In the 1970s, the Third World Women's Alliance (TWWA) took on this challenge, seeking to organize women of color economically, culturally, and politically, embodying Lorde's charge in the decade prior to her speech. One of the key methods of organizing by the TWWA was a series of original skits, many of which were performed during celebrations of International Women's Day (IWD, 8 March).