Abstract

This paper presents that art with BCI (Brain-Computer Interaction) is decolonizing from the dimensions of action between politics and the aesthetic in traditional knowledge systems. In order to explore the creative power of art with BCI, it proposes the concept of decolonizing aesthetics. It critiques the beauty of art with BCI, through the reframing of aesthetic activities such as aesthetic objects, aesthetic attitudes, and aesthetic values in the view of psychoanalysis. Its aim is to find out a response for alternative perspectives of reference in HCI (Human-Computer Interaction) systems and alternative ways of understanding the relationships and collaborative actions between humans and new digital technologies.

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