Abstract
AbstractCrave TV's niche hit Letterkenny is packed with exercises in wordplay and examinations of semantics that serve various functions in its presentation of life in small‐town Canada. This article examines how the progymnasmata of classical rhetorical education and the linguistic comedy bits in Letterkenny serve a similar role in preparing their users (and viewers) to both engage in a specific type of dialogue and establish and enforce moral boundaries as are accepted in the society in which they live and participate, and how fan circulation of these language memes reflects the transference of those morals to the culture.
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