Abstract
Weituo 韦驮 is one of the most frequently represented protective deities in Chinese Buddhist temples. The statue of Weituo is enshrined virtually in every standard Buddhist temple in China today, and at a unique location—in the entrance hall for the four Heavenly Kings and facing inward. Why is the Weituo statue placed at this place and looking inward? The Chinese Weituo can be traced back to the Hindu god Skanda. However, his iconography and functions in China were completely reshaped by master Daoxuan’s 道宣 (596–667) account of this deity. Actually, Weituo is just one of the many Buddhist protective deities for general protection and prosperity. In China, as I demonstrate in this study, Weituo has been known as the most diligent Dharma-protector and is associated in particular with the saṅgha, as a patron guardian and inspector of monks and nuns. Thus, Weituo’s images are shrined in Buddhist temples. The locations of these images reflect the importance of Weituo and his special role in Chinese Buddhism. In the past, there have been a few studies, but they mainly focus on his origin. The functions of Weituo and the worship of Weituo in the Chinese saṅgha have not been well examined. Going beyond his identities, iconography, and style, this study aims to contextualize Weituo images in temple space and religious practice.
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