Abstract
In the fall of 1986 two very small and financially unstable Toronto theatre companies, Act IV and Native Earth Performing Arts Inc. (NEPA), pooled their meager resources to mount The Rez Sisters, one of the first plays by an unknown Canadian playwright, Tomson Highway, also the artistic director of Native Earth. Neither Act IV nor NEPA had their own theatre space so the play was staged in the auditorium of Toronto's Native Canadian Centre. For the first week of the run audi-
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