Abstract
Digital and virtual dimensions play an essential role throughout Alexander Schubert’s work, among audiovisual media, mechanisation of performative gestures, stage setting and computer tools for composing. Wiki-Piano.Net, based on the ‘wiki’ peer-production principle applied to the artistic field, is one of his first experiments with online communities’ interactivity. This article investigates the relationships between author, users and performer through the editable website. The intermedia approach extends and reflects human beings’ compositive and performative possibilities. Indeed, a wide range of internet sources communicate with the historical reference of the piano repertoire while also reflecting recent online habits. Nevertheless, the preset form anchors its expressivity to a specific communication, referring to the author’s informatics-digital attitude and a further staged representation. The man–machine dialectics is consequently expressed on different levels, also entailing acoustic-gestural and audiovisual contents. Questioning the authorship principle and generating a non-hierarchical network, Wiki-Piano.Net reflects Schubert’s aim to create a collaborative work towards which he has no control. However, the virtual environment results are strongly influenced by his settings and artistic attitude. The interaction, hence, derives not only from online users but also from the creator and performer through fundamental website mediation.
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