Abstract
All around the world, places of trade are typically conceived as places of deceit, if not outright danger: the plight of the carpet seller in Istanbul might be likened to that of the used car salesman in the West, for instance. But Istanbul’s Grand Bazaar is a particularly well‐known centre of (perceived) deceit – the home of the trickster par excellence – and carpet sellers are the iconic bearers of this reputation. As a threshold of thresholds, the bazaar is a global crossroads, where a huge diversity of cultures and histories intersect, and carpets are objects that express this perhaps the most magnificently.
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