Abstract
In the early 1940s, Felice Balbo and Giaime Pintor judged and re-envisioned Europe from a shared observation point in Turin with two institutional settings: the publishing house Giulio Einaudi Editore and the Italian Committee for the Armistice with France. Their privileged perspective—so far little known outside Italy—offers interesting clues about forms of opposition to Fascism and National Socialism by a generation that grew up under dictatorship. Drawing on unpublished sources and memoirs, this essay retraces a dialogue among friends, showing how young members of the Italian intelligentsia designed eccentric scenarios to overcome a nazified Europe. An overly enthusiastic reception of American culture, illusions about impending insurrections in Germany, and a general attraction to German culture helped Balbo and Pintor in becoming active antifascists.
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