Abstract
Pregnancy occupies an uncertain position in Hollywood cinema, and discussions of infertility are notably absent. Indeed, two blockbusters (Avengers: Age of Ultron and Mad Max: Fury Road) invested in the politics and rhetoric of reproduction met with disparate critical and popular opinion. This article will examine the potential reasons for this, whilst establishing ideological parity between the films.
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More From: Networking Knowledge: Journal of the MeCCSA Postgraduate Network
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