Abstract
This article charts the development of The Made in Migration Collective, a coalition of displaced people, academics, and creative professionals that was developed during a recently completed British Academy postdoctoral fellowship. Following discussion of how archaeology and heritage are under attack globally from far-right nationalism and specifically within the UK, I provide examples of how community archaeology can highlight fissures in capitalism. I follow others in interpreting anarchism as a potential form of care. Two public heritage exhibitions – one digital, one “live”—which were collaboratively produced by The Made in Migration Collective are reflected upon.
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