Abstract

This article aims to discuss three of Alice Munro’s stories—“Differently,” “The Children Stay,” and “What Is Remembered”—in terms of Munro’s new ways of dealing with female adultery. I argue that unlike their nineteenth-century literary precedents, these stories promote a positive view of desire, of self-realization and self-fulfillment. They subtly denounce guilt and shame and instead focus on the adulteress’ inner rebellions, struggles, and calculations. Munro’s choice of highlights and temporal rearrangement stand out to enchant her readers. I discuss in turn the psychological transformation of the adulteresses facilitated by their doubles, the residual memory beyond real and dishonest remorse, and their urge for self-realization, ending with a summarizing conclusion.

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