Abstract
In communication the task is not limited to formulating a system of meanings that transmit a thought. The internal subtext or sense has to be conveyed as well. What means, especially nonlinguistic means and techniques, are available for conveying subtext? An actor's training helps us to master these means. Stanislavsky emphasized the necessity to comprehend the entire semantic situation behind a role. Concrete characters from well-known plays are used to demonstrate different means and techniques.
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