Abstract

Walking and the tropical Far North Queensland landscape of Australia have had a major influence on the author’s creative research. In this paper, immersive practice, which includes walking, is examined as a means to form connections with the natural environment and stimulate imaginative thought. These attributes have developed the author’s painting processes, which endeavour to enrich understandings of the landscapes of tropical far north Queensland. An immersive approach responds to the complexities of increasingly sedentary lifestyles and the tendency to engage with digital distractions in our high speed media-connected world. In this fast-paced realm, meaningful relationships with the natural environment can be reduced, with meandering and imaginative pursuits often becoming neglected. Living in Far North Queensland provides easy access to unique tropical landscapes to engage with. Walking receptively in such natural environments can provide a physical and mental counterpoint to contemporary fastpaced lifestyles. Furthermore, walking provides opportunities to engage in ‘mindwandering’ and embodied experience that can enrich painting practice.The research presented in this paper celebrates life in tropical Far North Queensland and highlights the artist’s experience in this particular part of the world. Recently, the 29th of June was designated the International Day of the Tropics by the UN General Assembly, a day founded to raise awareness and consideration of both the challenges and opportunities faced by tropical regions of the world. (stateofthetropics.org). This designated day provides space for the author/artist to reflect upon the diverse culture and ecosystems of the region and position her artistic practice within a broader context of ideas relating to tropical environments.

Highlights

  • This paper explores the significance of pedestrian movement in tropical Far North Queensland (FNQ) Australia, and how these experiences are interpreted in the form of painting

  • The tropical environment is inherently captivating for many artists, but engaging with the immersive act of receptive walking has afforded a deeper connection with the natural environment that can enrich my own painterly reinterpretations

  • Philosophers have historically acknowledged the benefit of pedestrian movement in natural environments to stimulate contemplative thought, while contemporary walking artists and those with immersive practices continue to exhibit the significance of direct bodily experience in creative practice

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Summary

Introduction

This paper explores the significance of pedestrian movement in tropical Far North Queensland (FNQ) Australia, and how these experiences are interpreted in the form of painting. The works of art that have resulted from this bipedal approach differ from typical postcard ‘rainforest to reef’ representations that often dominate depictions of the tropical north Queensland region This body of work reveals a unique vision and relationship between an artist and the FNQ tropical landscape, one that is informed by the receptivity afforded during walks in the natural environment. As walking in natural environments develops deeper connections to the surrounding landscape, the resulting artworks provide new arenas of contemplation for the viewer (Morrison-Bell, 2013) These practitioners invite the viewer to reconsider the landscape and their interactions with it and this is an approach I have applied to the tropical FNQ landscape

Natural Landscape and Immersive Artistic Practice
Findings
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