Abstract
ABSTRACTThis essay explores connections between the literary representation of women's pleasure, the aesthetic evaluation of fiction perceived as pleasurable reading for women, and sex/gender discourse stretching back to the eighteenth century as the age which saw the beginnings of a recognisably modern literary market. These reflections provide a framework to consider the kinds of pleasure offered by two novels, one from the last century and one recent best‐seller, which portray pleasure‐seeking women in the city and what happens to them.
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